Author: Jeff Lemire
Illustrator: Jeff Lemire
Where I got it: Netgalley
I have long been a fan of Jeff Lemire’s work, particularly his creator-owned stories like The Underwater Welder and Sweet Tooth. His art — while perhaps not as visually stunning as some of the exciting illustrators in the field such as Fiona Staples, Sean Murphy, or Greg Capullo — provides a sense of unity to his comics. He is a true master at understanding the sequential nature of comics and his images evoke the right emotions and pacing that are hard to nail down.
Catching on the science fiction bandwagon with contemporary hits like Saga, Preacher, and Sex Criminals, Lemire pens a love story with the plot devices of time travel, alien cultures, and a sentient disease. One of the featured characters is a botanist named Nika Temsmith, who lives in the year 3797 when a disease has killed off all but four thousand people. Their only hope is the trillium flower, which grows wild on a planet where some mysterious aliens await Nika’s arrival. They stand guard around an Incan temple, which Nika comes to realize is more than just a pyramid of stone.
In the year 1921, WWI vet and English explorer, William Pike, also makes an expedition in search of the lost temple of the Incas. When natives attack his group, he finds himself face-to-face with Nika, completely unable to understand her language. Their encounter does not seem accidental and both experience a sense of deja vu, feeling as if they should know the other.
With the help of Trillium, William and Nika learn to communicate and find themselves sharing a bond with one another, leading to an adventure where their biggest adversaries are the very teams they were working with.
Trillium was released by Vertigo as an eight-issue story arc and binge-reading it in one collected volume (my preferred method of reading comics) made the story feel as connected and whole as Lemire’s recent work, The Underwater Welder. The illustrations are typical of Lemire’s style, with a sort of rough-sketched appearance. The panels are fully colored, blending a colored-pencilled and water-color appearance. There is an artistic quality to the drawings, but Lemire’s true art is in how he uses images to tell a story. Few writers understand how to use layout as well as he does and there is some good variation, ranging from templated-panel layouts to full page images with inset pictures to pages that need to be turned sideways to orient one’s self properly.
The main characters were rich. Nika, the altruistic and fearless scientist, was willing to disobey orders if necessary to achieve the proper ends. Yet her willingness of self-sacrifice should not be confused with a suicide mission. She is thoughtful and contemplative — empathetic to other cultures and open to love. William, suffering post-traumatic stress syndrome from the war, questions his own mind, but is willing to follow what he believes is right, even if his closest friends question his sanity.
Jeff Lemire’s venture into science fiction was a welcome one. He remains true to his style, while appealing to fans of Arthur C. Clarke or Philip K. Dick. The plot was reminiscent of other science fiction stories and the use of an ancient pyramid for traveling through space and time bore resemblance to Stargate. Nonetheless, the story felt new and original and was executed beautifully.
For fans of science fiction — and particularly those who want a shorter story arc — Trillium is a good choice. Lemire is one of the great writers in the industry today and I found this to be an exciting read that can be enjoyed in one complete and satisfying sitting.